Friday, June 18, 2004

Must read: LAWeekly: Humvee Hell: Evan Wright talks about his two months riding with the Marines in Iraq, and his new book, Generation Kill

"One of the issues is the embedding process. With the exception of the ground’s-eye view in this book, there’s been a real failure of bearing witness.

They would assign you to a unit, and let’s say they assign you to, like, a frontline unit such as the one I was in. The typical process was, the reporter would then hang out with the officers in a headquarters and support unit, which is to the rear of everybody else. And then they would sort of shoot forward and do temporary embeds with the fighting Marines or soldiers.

Do as you were told.

It was often the reporters themselves, for the reason that you still usually needed to have your satellite phone, your modem uplink and all the equipment to charge your batteries. And if you’re carrying all that stuff, they don’t want you riding in a front unit. So the media did a lot of self-censorship. The Pentagon actually gave a lot of latitude to the individual commanders. Since I was one of only two people writing for a magazine that was embedded with the entire first Marine division — which is kind of shocking — and I didn’t have a daily deadline, I did some horse-trading, and that’s why I got to go with this front team. And it’s why I was with these guys for a month and never saw any other reporters and seldom saw the officers. But the overall phenomenon of how reporters erroneously reported this war? I think that it’s because in America, television networks almost have — with Fox — branded themselves for their political bias, so that it was almost considered political if you asked a question that seemed to question the war effort itself. Although we have the image of hard-hitting, questioning-authority people, by and large reporters are the biggest bunch of kiss-asses on Earth. They gravitate toward power because power is where the information flows from. I would see these groups of reporters in Kuwait before the war started, kissing up to the officers and the guys in charge, and if the guy made an awful joke, they’d laugh at it. It was grotesque. . . .

Did a lot of reporters leave after experiencing combat?

I’ve heard now that some of them tried to leave. I was just talking to a Marine from a different battalion, and this reporter had a nervous breakdown, and they couldn’t get him to leave the armored vehicle. A lot of reporters were endangered. I thought I was going to freak out, and I was always amazed when I didn’t.

Was part of you geeked on the adventure aspect?

Totally. I was totally geeked out, and the weird thing is that violence and destruction is so fucking cool. That’s why war is so horrible, because people are drawn into it. The people doing the shooting, they love it, you know? They hate it too, but they love it. It’s like heroin.

Obviously, many came into this adventure one way and came out another.

Within the Marine Corps there’s a particular psychology they sort of revel in, which is: If there’s gonna be a bunch of people fucked over in battle, outnumbered and surrounded by bad guys, it’ll be us. And that’s part of their lore. So they almost are looking forward to that. But, all of that said, once the war started . . . In the book, I describe only two scenes where the guys I was with started crying, but actually that was very common. It was just impossible to not react to the things they were participating in. Like the shooting of children or, you know, any civilian. And they changed.
It is that it’s so intense. You can have a moment like we did in Baquba up north of Baghdad. We were getting shot at continually for like 30 hours, and then had this breakout moment where the clouds lifted and the Air Force and the Marine helicopters came and just bombed the fuck out of the surrounding area. And then we had to drive into this flaming village, and initially everyone was really triumphant. The ground was littered with Republican Guard uniforms. The guys that had been shooting us fled or were blown up. There were bodies everywhere. And then this little girl comes, carried out of a culvert. She wasn’t injured, but she and her family were in shock. And then everyone realized, Oh my God, we Americans just burned down their village and bombed it. Some of the Marines I was with went from literally killing people to crying — and then five minutes later they’re back in combat. They had read about the horrors of war, but they were also really sensitive to it. They didn’t lose their humanity.

Did a lot of reporters leave after experiencing combat?

I’ve heard now that some of them tried to leave. I was just talking to a Marine from a different battalion, and this reporter had a nervous breakdown, and they couldn’t get him to leave the armored vehicle. A lot of reporters were endangered. I thought I was going to freak out, and I was always amazed when I didn’t.

Was part of you geeked on the adventure aspect?

Totally. I was totally geeked out, and the weird thing is that violence and destruction is so fucking cool. That’s why war is so horrible, because people are drawn into it. The people doing the shooting, they love it, you know? They hate it too, but they love it. It’s like heroin.

Obviously, many came into this adventure one way and came out another.

Within the Marine Corps there’s a particular psychology they sort of revel in, which is: If there’s gonna be a bunch of people fucked over in battle, outnumbered and surrounded by bad guys, it’ll be us. And that’s part of their lore. So they almost are looking forward to that. But, all of that said, once the war started . . . In the book, I describe only two scenes where the guys I was with started crying, but actually that was very common. It was just impossible to not react to the things they were participating in. Like the shooting of children or, you know, any civilian. And they changed.
It is that it’s so intense. You can have a moment like we did in Baquba up north of Baghdad. We were getting shot at continually for like 30 hours, and then had this breakout moment where the clouds lifted and the Air Force and the Marine helicopters came and just bombed the fuck out of the surrounding area. And then we had to drive into this flaming village, and initially everyone was really triumphant. The ground was littered with Republican Guard uniforms. The guys that had been shooting us fled or were blown up. There were bodies everywhere. And then this little girl comes, carried out of a culvert. She wasn’t injured, but she and her family were in shock. And then everyone realized, Oh my God, we Americans just burned down their village and bombed it. Some of the Marines I was with went from literally killing people to crying — and then five minutes later they’re back in combat. They had read about the horrors of war, but they were also really sensitive to it. They didn’t lose their humanity.
Outside this town called Ar Rifa one time, we had to wait for like six hours, and we were getting all these gunshots from the town. There were only 40 of us in this immediate position, and there’s tens of thousands of people in this town 15 meters away. My impulse was: Guys, call in the artillery strike. Just level this corner of the town. There’s probably like 15,000 people who live in this corner. Level it. And if I had been in charge, I would have had that impulse. They didn’t do that. And they could have. . . .

You get the sense that you were surrounded by idiosyncratic and iconoclastic people.

I’d been embedded with the Army in the past and then with the Marines, and the Marines actually struck me as much more competent than the Army. But the interesting paradox is that the Marines are really brainwashed when they go through training. And the Army is supposedly less brainwashed. It’s harder to do stories on Army guys in general because they’re much more institutionalized. They don’t have a lot of — well, if they have original thoughts, they’re not eager to share them. But you could have dropped me into any group of Marines, and you would have found, like, the same level of insanity. They say that the Army sells job skills, and the Marines sell, you know, “Become a warrior.” It’s a fantasy. A lot of them are really big fuck-ups, and the Marine Corps is what straightened them out. But they’re still, in their souls, iconoclasts.

The thing is that they’re also trained to violate the ultimate taboo of society — to kill people. As Sergeant Espera says in the book, “If we’d done this shit back in L.A., we’d all be in prison now.” And I think one of the ways they both deal with it and condition themselves for it is to violate every other taboo they can think of.

And yet it’s the commanders that seem callous to the killing.

The enlisted guy’s psychology is to operate much more as sort of a sensitive humanitarian individual, even though he’s also the one pulling the trigger and doing the hands-on killing. Commanders were much more callous about civilian deaths than the enlisted guys. They were pretty much happy with the road-block situation that we were operating under, where all these women and children and unarmed men were shot. [But] the enlisted men had this little mini-rebellion, where they’re like, “No, we’re gonna fire smoke grenades to warn them off.” The commanders were against that because they thought it was less aggressive and the Marines were putting their own lives in danger. Of course, it’s the commander’s job. He’s the one who sends people into battle, and he’s the one that actually sees the big picture and knows, I will lose this number of people today. But in a moral sense, to be a commander you do have to be a sociopath, you know?

They’re under pressure from above too, right?

The side story of the book is about the commander of First Recon, Lieutenant Colonel Stephen Ferrando. He was a heartless motherfucker, and everyone hated him. He wanted to deny medical treatment to the kids they shot. It was only [after] a rebellion that the men fomented against his command that he relented and gave medical treatment. But he was one of the more successful battalion commanders in all of Iraq because the welfare of the men didn’t seem like a priority. And the [missions] he sent them on were insane. I mean, sending First Recon through that first ambushed town of Al Gharraf in open Humvees . . .

There’s also the leveling of villages with bombs. Did you see a lot of indiscriminate bombing?

The indiscriminate bombing I saw was a bomb here and there from a lone F16. Everyone thinks of indiscriminate bombing as from airplanes. It’s the fucking artillery. The Marines in particular were using so much artillery that I have no idea what kind of killing we did. I tried to do little estimates with Nasiriyah. We were dropping these DPICM’s [dual-purpose improved conventional munitions] with cluster munitions. One round has between 60 and 90 rounds, and 15 percent of those don’t blow up until a kid picks it up later on and steps on it or plays with it because they’re brightly colored. I went back and I interviewed the artillery units and asked them how many rounds they fired on the city? It turns out we dropped 10,000 of those on one little city. It’s appalling.

Were there other situations where you found yourself feeling similarly appalled?

One thing I didn’t get to include in the book for space reasons was a scene in the beginning when these Iraqis surrendered to the unit I was with, and then we realized there were too many. So we had to unsurrender them and let them go even though they were begging for protection. Because they said there were Fedayeen death squads hunting them down and killing them — which everyone in the Marines, in the higher-ups, believed was true. They were carrying little leaflets saying we [the U.S. military] would protect them if they surrendered.

And we let them go. We said, “You’re no longer our prisoners. Bye, good luck, have fun on the road.” I did not know this at the time, but it was a Marine officer who later told me that that was a strict violation of a Geneva Convention.

I remembered [Major] General [James N.] Mattis [telling] me and other reporters before the war [that we’d] take all these surrenders, process them, treat them humanely. We didn’t do that because our stripped-down military did not have the personnel to process them. We betrayed them. I’m sure that those guys, if they survived, later became insurgents. You know, we lost their trust. Some of them probably turned into criminals. The other thing I didn’t report, or underreported in the book, was that we sped past mountains of munitions. Like RPGs [rocket-propelled grenades], AK-47s. In Baghdad, some of the civilians were complaining to us that the price of an AK had dropped to the cost of a pack of cigarettes. I interviewed our explosive-ordinance-disposal technicians, who talked about 50,000 AKs in one hospital that we were unable to destroy. We would be digging holes and finding these Dragunovs, the best sniper rifle in the world, still sealed in their plastic bags. The Marines would just toss them out because it wasn’t their job to dispose of them. All of this stuff just flooded into Iraq.

Were there repercussions for your unit after the articles were published?

When the articles came out, the Marines were severely punished for what they said to me, and one guy was kicked out of the battalion. They got into a lot of shit, and were given a new commander and a new call sign. The company had been known as “Hit Man.” And they were to give it a new name. Part of it was just routine, but part of it was to erase their ugly history, as they saw it, with the Rolling Stone articles. And so they said, can you think of any new names? And according to my sources, Corporal Person, who was the driver of my Humvee, raised his hand and said, “How about ‘Baby Killer?’”. . .

That might be the most heroic thing they’ve done.

Fuck yeah. It’s better than any celebrity I’ve written about who, you say one little thing that they find offensive, and they threaten to sue you. Oh, here’s a great story: The Marines, they’re getting busted down. They put their lives on the line. They’re accused of cowardice for what they said in my articles. The one person who’s infuriated by my articles and is threatening all these horrific things is Justin Timberlake. Because one of the Marines dissed him. And Justin Timberlake’s people threatened all these horrible things because Corporal Person mocked Justin Timberlake’s musical abilities in the articles. It’s just a perfect comment on our culture."

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